wonders and dangers in life

The world is full of so many things - opportunities, possibilities, innumerable new experiences that can broaden your perspective, tickle your imagination, shape your memories and thoughts. There is earth and there are the things that can grow in the earth. You are born a blank slate and you live and as you do, roots and trunks and branches for, reach higher upward every year. You see paths in front of you and you follow where they may lead.

There is wonder in the world, and there is also danger, conflict, pain. There are shocks, major and minor, sudden and long-in-coming. To stay still and hidden is to see so little, and yet to venture forth is to risk. Sometimes you fall. Sometimes you watch someone else fall. Sometimes the risk is abstract and sometimes very much physical. You know this, as you know of the good. And just and so often we allow ourselves to take for granted the small joys we can find in life...so too do we minimize those dangers.

Every so often something happens to remind you of their existence: you spend an evening sitting on your living room floor giving your roommate ice and watching as a veritable stream of police walk in and out, take questions and statements, photographs. You listen to him say in disbelieve how does something like that happen right in front of your own house?

But such is the nature of life, of the World. There is always a balance, between withdrawing into yourself and engaging, between knowing your potential and using it, between guarding yourself or letting your hands be free to touch, to feel and explore and learn. Safety in the familiar or risk in the unknown - the exact measure and choice is different for everyone. You try to do what you an to make your own life and fulfilling and you can, as complete. I don't deny being reckless, to some degree. There are things I simply don't care about though I should, and there is that always burning curiosity, to see and do and run far...

Once upon a few years ago you spent a final week abroad walking around by yourself in a large foreign city because you wanted to BE there, to experience, to really see. You tell people about this, about how much you enjoyed those days, those long walks alone. You do not mention, usually, that one day among many - the restaurant and the waiter who followed you into the bathroom, who kept touching you and trying to hug you and kiss you as you writhed and said no and tried to get him to unblock the door; he did finally, and then followed you several blocks after you quickly paid and fled. It was unfortunate but it is a risk you take and such is life sometimes. You want to go somewhere strange and you do, and mostly it is amazing. You think someone is a mentor or friend and time spent with them is great until it's really not. So it goes.

So it goes and so you live where you do because you decided to spend a summer in an amazing place and thus only had a week to find somewhere to live that you could afford. So things happen, and yes, to be on guard, to be aware and ready to defend yourself if needed is good, but only to a degree. What is the point of living if you live in fear? What is the point if you make a list of so many things that sound amazing but that you will not do because there is risk? That is not achieving the concepts the world represents - for some perhaps there is no conflict, but everyone is different.

Guard but not too much, against the World. It has risks and and has wonders and to chase possibility means to encounter both.

"Scratch and Sniff" Senses Exercise

So another exercise from the Tarot Playbook: this one is called "Scratch and Sniff" and it is about engaging with a card with your senses, beyond the usual 'what do you see?' approach.

Sound

Bells - this Magician makes me think of the ringing of small bells; actually, a particular set of bells, the ones used during a Catholic mass while the priest is uh, doing the whole communion wafer ritual (I never paid attention when I went and I almost always went to church that was not in English so I don't know a lot of the proper terms for things). Bells, and chanting perhaps. The sizzle of a firecracker being lit, preparing to explode into brilliant color. The sound of a camera flash.

Smell

Incense burning. Frankincense, specifically. The smell of smoke from a just blown out scented candle. Strong smells, concentrated around the magician, the altar. Perhaps too, a splash of some kind of perfume.

Touch

The magician is exquisitely smooth: the feeling of silk, of really high thread-count bedsheets. Smooth and soft, but also cold. There is no warmth here, from the silk, no comfort. Smooth and cold so that it almost feels wet, slick, thought it is not. Cold and silky and perfectly pressed, devoid of wrinkles or creases. Like his robe, like the altar-top, polished and shined, cold metal to the touch; and his mask, too.

Taste

Wine, served chilled. Rich but not quite sweet enough to be truly tasty. Perhaps some kind of exotic liqueur, the kind the makes an impression when you pour it into a class, the kind that you have to drink slowly, rolling the taste around in your mouth and you aren't quite sure what to make of it, whether you like. A touch of anise and the way it ever so slightly burns as it goes down your throat.

Or perhaps coffee - not the kind here, in America. No, turkish coffee, or syrian coffee, whatever you want to call it. Served in tiny cups, black and incredibly bitter and strong. Thick with the grounds. You drink it in some cafe surrounded by the smell of cigarettes and shisha, vaguely nauseated but quite awake, drink the black and the grounds too, and try to ignore the aftertaste.

look at the semester ahead

So as I start off yet another semester of grad school and classes and suchlike, I thought it might serve me well to do a general reading about it - what too keep in mind, look out for, etc. Once again I am using my de la Rea tarot and the Comte de Mellet spread. This time, I got quite a few more pairs, and in reading them, a pattern kind of emerged: Major = Theme, Minor = Details.
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In the first pair we have the Devil, wonderfully illustrated here by the particular shapes of these masks (the gold paint really does look much nicer in real life) as well as the smoky effect in the background. In this pair, starting off the reading, we can see a kind of question: what is lost likely to hold me back, tie me down, limit me, take away my attention from the things I should be focusing on? In the minor, the five of cups, we can find that answer. In the Thoth, which this card reminds me of more strongly due to the colors (there too, we have the kind of bright orange-red, as the background), this card is called Disappointment. We have wilted leaves, a pentacle reversed - image often associated with the Devil card as well. In the RWS we have a figure weeping over spilled cups, focusing on what is lost rather than what still stands. Cup within cup within cup here, and on top what looks like a kind of egg or perhaps a pineapple. Shall we reach it, crack it open? Or is it too high up?

Devil is the tendency to focus on the negative, to get lost in feeling sad; a tendency to be blinded by obstacles; disappointment and resignation, weeping over spilt milk, over things that one may wish would get better but they don't, at least not much.

In the second pair we have the Fool as the theme question: Where and how should I be more like the fool, willing to go forward, willing to take risks, willing to have faith and to move forward even if it does mean being bitten in the shins now and again? The minor here is the seven of wands, seven wands firmly rooted in the ground stretching upwards, into the sky. Seven is the Chariot in the major arcana, a card of action and movement and small victories - and wands is the suit of personal growth, of ambition and creative energies. Valour, the thoth says, as as in here shows one powerful rod overcoming and controlling the rest, behind.

To be the fool is to take action and take risks, to DO even when the outcome would be far from certain. Face the world and face insecurities and be willing to challenge myself.

Our third pair presents us with Justice and the 2 of Coins, two cards that speak well to each other. In Justice, with her scales bound to her sword with a serpent that reminds me much of the Caduceus symbol used in medicine, there is the reminder that finding and maintaining equilibrium in life is important even if it isn't a Justice card year for me anymore? And how can I work on channeling this, balance, adjustment as needed. The two of coins, of course. The RWS image of the juggler, keeping the balls in the air with a steady hand: smart multi-tasking, prioritizing, focusing on keeping up with many things at once - and not just the obvious ones like 'x assignment and y application'; taking care of oneself is something that needs to be on the list too. In the Thoth the title for this card is Change, a reminder that life is dynamic, of the need to go with the flow. There are runes on the ribbon in this card - we can use them, and cards, and whatever else to help us navigate these twists and turns and that is fine, but do not resist or despair at the unfamiliar, the end of things and start of others. The snake eats its own tail into infinity because such is the universe, hello and goodbye, loss and starting anew.

Justice is balance, is prioritizing and juggling and switching back and forth as necessary; it is keeping track of things, not getting over-focused on the one task and letting others fall to the wayside. It is taking her of responsibilities as well as the self. It is working with the changes that may come.

Finally we have Death posing a suitably appropriate closing question: what should I let go of, put an end to, cut away? What things have passed their expiration date, their usefulness? Bits and pieces of once nice things lay scattered on the ground here, where the reaper walks and cleans, in his own way. The chariot racing into concrete action is advisable - the chariot racing around in the land of fantasy and dreams, not so much. In the RWS we often see a figure confronted with too large a selection of cups filled with two many things - which to pick, which to pick? Indecision is a a very great shortcoming of mine. Just this Monday I spent about fifteen minutes in the bread aisle while grocery shopping, unable to decide on what to pick to make sandwiches on because SO MANY OPTIONS. Feeling like there are too many options can be almost as paralyzing and difficult as feeling that there are no options at all. What to do, so many things, they spin and how could we grasp at just one, how could we decide? Old things and new clutter together, make a mess, and how can you pick out what it is that you really want, now?

In Death we find a need to sort and clear away the confusion, both physically (I have business cards in my wallet of people I no longer even remember at all 0_o) and mentally. In some areas of my life, it is time to step away from the abstract, to sort out a concrete plan rather than just think and dreaming and despairing. In terms of school assignments I would do well by just choosing a topic rather than wasting time that could be better spent on researching going back and forth with 'but i could do this...or This...or That!'. The blade is no worse than the clutter, and the time comes to make use of it, to cut through that fog that can erupt from the fountain of cups.

doing the things that need to be done

The Tarot de La Rea, I must say, is a bit of an unusual deck when it comes to my reading with it. It's a TdM in structure, but between the switched elemental associations and kind of odd illustration of the pip minors, I initially had a bit of a hard time reading with it. Some might call it an 'art deck' but I don't believe in that concept: I either read with a deck, easily and regularly, or it does not stay in my possession.

Then someone introduced me to the Comte de Mellet reading method. Historical one, it basically involves separating the majors and minors, and placing them in two stacks. You count up from Ace to King, and at each count turn over the top of the non-majors stack as well as majors...if the number you say matches the number on the minors/courts, you but the major-minor pair down as part of the reading. Otherwise you put them both in discard stacks and continue on, restarting the smaller majors stack as necessary until you finish the larger stack. You basically never know how many pairs you are going to get. I've gotten as many as eight and as few as one. Theoretically you can get zero, but I've never had that happen. Using this method with this deck, I've that the readings I get are consistently very, very accurate. It's interesting too because rather than asking a question, the deck just seems to...address whatever it is you need to know about/hear.
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This morning, the spread gave me the following two pairs to ponder: Tower and Ace of Coins, Emperor and 8 of Cups.

Now, a Tower paired with the Ace of Coins is not a very reassuring combination but, upon reflection and given the second set of cards, I am pretty sure this is not an omen of impending financial disaster as much as a not so gentle nudge. See, I had a pretty standard plan on starting grad school that would have had me graduating at the end of this spring semester. Late last Fall, after pondering some things, namely my rather unfortunate lack of professional experience in my field of study, I decided to spread out my classes so that I would be finishing last (thesis) course in the Fall so as to use extra time in Spring/Summer to get some real internships. A rather scary change in some ways, because as much as I feel confident in my ability to DO work well...job hunting, particularly in my field, is a whole other story. And well...the progress in actually applying to internship positions so far has been rather....lacking. Very lacking in fact. Opportunity, or disaster, this pair reminds me - what do I want?

This is a plan that can get me far, or nowhere at all, depending on  what I do. Applying to 'real' jobs is intimidating and not something I have much confidence for, but Change often requires the frightening - falling out of that tower, hitting the ground hard. The Tower of Academia, we could even call it here. I love school. I love learning, reading and writing and I feel confident in my abilities as a student. But staying in the tower is not enough to get me the kind of career I want. Academic experience alone is not enough in this economy, this field. I need experience, professional experience, internship experience. The Ace of Pentacles opportunity requires a Tower experience, making that change, getting out of the comfort zone, venturing out into the tower beyond the familiar confines. Am I doing enough with that? This pair reminds me that, despite the free time I've had over the last couple of weeks, the answer thus far has been No, No, No.

The Emperor here, for me, indicates a need to take things in hand - a need for some organization, control, self-discipline. The cancer symbol confuses me a bit, as this major is definitely not usually associated with THAT sign, but also makes me smile because well, cancer I am. In the RWS system, the eight of cups is usually depicted as a figure departing, leaving something behind: what fears, insecurities, excuses should I be walking away from? In the Thoth this card has a backdrop of dark, cloudy skies and a title of Indolence. Haven't I been a bit indolent as of late? I need a break, I tell myself. Tomorrow, tomorrow, tomorrow. Days pass and cover letters do not get written, applications remain unsent. Personal time is necessary, sure, but when there are things to do...well, self-discipline, time management indeed. The number eight is associated either with Strength or Justice depending on the deck. In this one it is Justice, Adjustment - to balance out self-care, emotions, creativity with the getting done that need doing. A tall order, this walking away and overcoming indolence and balancing? Perhaps, but the Emperor shows that it can be down. Firmness is needed, a systematic approach - break things down into steps, write the to do lists, go.

Poem for a Court Excercise

So I just got myself The Tarot Playbook, which I've had my eye on for a while seeing as how I generally quite like doing out of the box type exercises with my tarot cards. I decided to start off my just opening to a random page, which got me one called "How Do I Love Thee". Basically, the assignment is to pick a court card (I drew one randomly), find four traits you like most about them, choose four adjectives to go with each trait, and then compose a love poem for the court using those adjectives. I am very much not a love poem type person: not from the reading end of things (newest poetry book, which I got along with this tarot book, focuses largely on Armenian Genocide...) and especially not from the writing end, so a  challenge indeed. I don't think this is quite lovey but, well ;]
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youthful rider:
offbeat, always confident -
silly, or focused?
we wonder, stare
at red robes so fiery,
royal and long
and yet your horse is winking.
how can you be the charming
knight with a hat so rounded?
can valour controlled
be so full of color?

perhaps it does not matter.
it has always enchanted us -
oddity, the knowing smirk.

2013 Year Card

2012 was a Justice year for me, and overall I found the year card exercise at the start of the year useful. Not so much predictive, per se, as guiding. The idea of seeking equilibrium throughout the year stuck with me, and helped me figure out some things. 2012 was definitely more about balance than any possible legalistic interpretations of the card, as I had thought right off - fortunately I do not currently have any legal issues to deal with.

That said, I thought I would do this again. For 2013, my year card is the Hanged Man.

I admit that the prospect of the Hanged Man as a year card does not immediately fill me with excitement: a year of hanging, suspension, feeling stuck in place? That does not exactly sound like what I am seeking to achieve. But of course, that is only one of many takes on the hanged man. This is a card associated with the water element, as the de la Rea here shows. Water is flexible, associated with dreams and emotions, depths, the obscure, neither fully solid nor gaseous.

The Hanged Man is associated in many tarot texts with the Norse god Odin, the AllFather, who hung himself from a tree for nine days in order to obtain runes, the key to all knowledge. He sacrificed his body, his power in exchange for that wisdom. He did not fight that sacrifice, did not try to cheat or find some kind of alternative. No, like this major shows in almost all decks: he hung with serenity, with acceptance of the situation as is.

Acceptance and even hanging do not have to mean stasis, doing nothing, giving up. Again, the reminder that all things have a cost - currently I am sitting on a bus driving back to DC. I am intensely motion sick and I am watching a very beautiful sunset while going over a bridge that enchants me from an aesthetic architectural perspective. Most things are like this, pros and cons. I could sleep and feel good and lose time and miss out on many lovely sights. Costs, decisions. Sometimes we reach a crossroads, a certain point where yes, there is stasis, repetition, doing the same thing again and again long after we have grown tired of it. What then?

A willingness to let go is called for - of the familiar, of the comfortable, and of control and distrust, at least to some degree. The hanged man in the Corte dei Tarocchi is particularly interesting to me in that he is not hanging from a branch or tree but rather from a rope of leaves held in the beak of two birds. How absurd! How could he believe that they would hold him up? He does though - he is willing to place himself in that position, and calmly.

The figure here is upside down, and at first glance it's easy to think that maybe we have drawn this card reversed. That is the spirit of this card too - the energy to turn things on their head, to look outside the box, the established way of doing things. You hang between realms and between phases of life. You let go and you find, grasp. The key is the serenity, the acceptance. This is not sacrifice for its own sake - there is a reason for this, something for which to strive.

In a way this image is not unlike a butterfly or moth still cocooned, waiting beneath the waves with held in breath. I used to do that too, as a kid. I liked to dive into parts of pools that were twice as deep as I was tall even though I couldn't really swim and I liked to hold my breath under the water for as long as I could, until my lungs burned. Why? It felt freeing. There is freedom in the way that you can move underwater even though, of course, all swims and baths must come to an end.

And so, a year under the Hanged Man's influence. A year for development and growth, sacrifice and letting go and finding the new, the better, the wiser and more fulfilling. A year for thinking differently, for stepping away from some of those careful caveats and limits of what you will do, for acting within a frame of acceptance - of self and of situation, of how things are and how things could be and what must be done to bridge the two. Of not only weighing out those costs but taking them on in self-awareness. Strength within constraint.

My Favorite Majors: The Sun

So finally we get to the Sun card - the most clearly, unquestionably positive card in the Major Arcana. Its hard not to like this card, seeing as how in readings it pops up to tell us good things - reassurance, success and the like...

I find that there is a nice variation in how the card is presented in various decks, particularly since - unlike some of the other majors - there is a significant difference in how it is represented in the 'big three' - TdM, RWS and Thoth. Subsequent decks tend to do their own take derivative of one of those takes and...yeah, lots to choose from, among my decks. My final selections, as we can see, are a bit more on the 'out there' and of the spectrum.

XIX. Sun

Favorite:
I've written about this card before, and yeah, it is most definitely my favorite Sun card. I love the Magical Forest deck in general; it is a lovely, quirky, endearing take on the traditional RWS imagery. I think that having kangaroos represent the figures in the Sun card is brilliant. Having a joey in a pouch as the traditional child, with the flag of victory and everything, really works here and leaves lots of room for reading, as I kind of went into in more detail in the previous post on this card. I love the coloring - very sunny and yellow, but not in an overwhelming way, with just a bit of a suggestion of too hot, too much of a good thing, for that kind of potential reading into it too. Love the way the field of sunflowers is drawn. Everything, basically, about this card very much appeals.

Runner Up:
So it's a bit funny that this is my second choice because, as a rule, I tend to very much dislike the TdM tradition's take on the Sun...the whole children frolicking under the sun image doesn't really evoke for me the kind of happy success meaning this card is supposed to express, particularly when combined with the art style of most TdM decks. However, in the de la Rea, this image is abstracted to the point where I do not see children in the figures, rather just the concept of individuals - ageless, genderless - celebrating or enjoying themselves. In some ways - that ribbon - they are tied to each other, and in other ways they are distanced, disjointed, masked, apart: that great gap that always, even in the best of times, separates each one of us from everyone else. The deck also abstracts the actual sun in the image, makes that a mask too, which I appreciate on an aesthetic level - the gentle gold and silver paint on the cards in real life really makes this just lovely to look at. Love the colors on this card in general actually, the balancing of red, gold, blue, and the hint of minimalism - that broad swath of white background - really brings this together for me. I find it reads awesomely.

My Favorite Majors: The Wheel of Fortune

Conceptually, the Wheel of Fortune is certainly an interesting card, and one that has really kind of evolved in meaning for me over time - or, I suppose, expanded in meaning to be more precise. At one time I thought of it as primarily a counterpoint to Justice - sometimes things happen because its fair, and sometimes things are random and just happen and fairness or rightness or balance has nothing to do with it. For a while I thought of this card as being about things that are larger than you, out of your hands, limited control of. Later the idea of cycles, the spinning aspect really came into it. So yeah, a lot more nuanced than it appears. The takes on this card really do tend to vary between decks, and especially between traditions...some more interesting than others, suggesting or emphasizing different conceptual aspects... It was a mix of that and the aesthetic informing my favorites choices for this card.

X. Wheel of Fortune

Favorite:
What can I say? I like the TdM tradition take on the Wheel - nice and simple and gets the point across without too much fuss. At the same time, de la Rea art style specifically is just so PRETTY. Those masks...there is just something about the idea and the execution of those masked figures for everything in this deck that really appeals to me. The most familiar aspects are still there, and quite clear: the regal figure at the top, the rapid like one, hopping forward, and the falling one...love how their capes vary and move here also. The colors are really nice and just...yeah. I guess this was mostly an aesthetic appeal choice for me. I love the look of this card and it gets the point across nicely and so favorite it is indeed.

Runner Up:
So I realize that I have a definite preference for having an actual WHEEL in the Wheel of Fortune card...some  decks (Druidcraft and Victorian Romantic come to mind) forego that and focus more on the concept behind it, which is fine and good and interesting food for thought but...I like to see me a wheel. Here, I especially like the two dragons-serpents, one white and one red - which is itself very tied to the alchemical aspects of the deck - eating each other's tails. I have an particular liking for the ouroboros concept (to the point of having recently gotten a tattoo of an ouroboros-based design) and this isn't quite that but very related: things interconnecting, the end is a beginning etc. and yeah. The one on the top with wings and a crown, the one below without...same idea, cycles, rise and fall, but presented a bit differently which is always interesting. Having all four elements surrounding them in the corners is nice too - it ties together the alchemy theme, again, as it proceeds through all the majors, but to me it also ties in all four suits of the minors, shows the inter-related nature of everything in the world and just...appropriate to the card. Also, I like Robert Place's art style quite a lot, and find this card quite nice to look at too. ;]

A Deck of Quirky Courts

So I tend to try to stick to writing here about the decks that I am actually currently working with, but now and then...an exception.

I decided to take advantage of my access to a scanner here to get my de la rea deck on my computer for future such blogging purposes, and was reminded again why this is one of my favorite decks. It's on odd one, to be sure: offbeat art style, very Marseille based but everything is masks, pip minors with odd elemental associations illustrated differently than the usual Marseille patterns. Gold and silver paint on the cards, and they are so very pretty...this is most definitely an art deck, a deck for collectors, and for some at least, that's more or less what it is.

I have a rule though, about reading with all decks I own. If I cannot read with it, I do not keep it. And indeed, I've found a way - a very specific way - to get this deck to give me brilliant readings. I only ever read with it using the Comte de Mellet spread, no reversals. With this method, readings vary from short, with only one or two pairs of cards to read, to quite longer. In fact, after my scanning spree I was inspired to do a reading for myself with it...it ended up being six pairs, for a total of twelve cards, much more than my reading usual. As usual, utterly on point, accurate, and thorough. That reading is too long and too personal to post here, so instead I thought I would linger a bit on one aspect of this deck I find particularly charming - the courts!

It is of course an extra challenge to take the courts - often considered some of the trickiest cards in the deck to read - and show them as these masked, abstracted figures. Yes, what I love about these is just how well the 'feel' of each court is expressed. I love the knight of wands, for example, because he isn't quite the bold rushing forward figure of other decks...yet actually, expression not unlike that of the RWS really...uncertain, heading into unfamiliar territory perhaps, encountering some surprise, the ridicule of the horse...and yet he goes anyway. What's that saying about courage being about feeling fear and proceeding anyway? I like this queen too...majestic in the way she holds that cup, her hood over her like a canopy, the influence of intuition, mind...

I also quite like these two courts. The starkness of the coloring on the King of Swords really highlights the kind of harsh, unyielding intellectual nature of this figure, the width of his collar and garb how much space he takes up, his authority...everything black, white, red. Those shoulder masks... As for this page...the garb of a scholar, or at least it seems so to me, and the curious up-tilt of the head. She likes learning new things, this page, exploring, inspecting, enriching herself. Love the detail of the sprouting plant in the background.

But yes, love the quirky courts in this deck, and shall definitely be doing some exercises around them eventually, when I get back to working with this deck more regularly. It really is such a treasure: the majors are, too, quite awesome :]

favorite card backs

An often overlooked aspect of tarot decks, the backs are...well. for me, i can't say they are necessarily a deal breaker - i have several decks whose backs I quite dislike but which I got anyway because well, the actual deck more than made up for that particular drawback. but I must say, a nice back really does add to the awesomeness of a deck as a whole.

For me personally, i like my backs to be reversible if possible (since I read with reversals), for them to somehow thematically or visually 'go' with the card fronts, WITHOUT being merely a print of one of the cards (this tendency on the part of LoS particularly is rather annoying...) and just general aesthetic prettiness. I thought it'd be fun to just list some of my favorite card backs from within my tarot collection. Interestingly enough, they don't correspond all that much with which decks are my favorites overall...

Lookit, shiny!

The Fenestra tarot has what is probably my most favorite of backs...very nice, subtle color, a bit of an art-nouveau feel to it, nicely reversible, and goes perfectly with the art style of the cards themselves. As I said, not really corresponding with my deck preference generally...see, I love the minors in this deck, and it'd probably be much higher on my preferences list if it wasn't for the HUGE, UGLY, UNTRIMMABLE borders the publisher felt the need to take onto all the majors.

I traded this deck away because of that, and the universe recently saw that another copy of it came back to me, so holding onto it this time because I do like the art style and colors generally. And yes, the backs are a major plus.

Other cool backs:

     
I like these two a lot, the Crystal/Vetro back and the Balbi. The Crystal back doesn't really go with the art style of the deck per se, but I just really like how it looks. Reminds me of some old playing card backs I vaguely remember from when I was a kid. Nice and reversible too.

As for the Balbi, again, simple and reversible. Colors do a lot for me too - I've always liked the purple and green color combination, and the particular shades of purple and green used here really appeal. I like the vague vine type design, and the general style and bright colors perfectly encompass the nature of the deck overall and yeah, likey.

Now here are two backs that AREN'T quite reversible, but which I really like anyway. One is the Thoth back. Like the rest of that deck, it is chock full of esoteric symbolism I currently only vaguely/half-understand at best, but I can appreciate it's significance. It definitely gives you a nice feel for the rest of the deck, and visually, it just works. Plus, its not THAT badly un-reversible, so I can still read my reversals without too much distraction.

The Tarot de la Rea back, on the other hand, is very non-reversible, but given that this is one of very few decks which I DON'T read using reversals (in fact this deck likes me to use one very specific spread to read with it) that's not too much a bother. It very well represents the cool mask-filled nature of the deck as a whole and like the fronts just has a...unique, special feel to it. This deck really is one of the little treasures of my collections, and that includes the backs.