So I don't ordinarily comment at length/write up a whole post when switching between reading decks...but since the Marrakech isn't one of the easily available mass market decks that everyone and their ma has a copy of, and since i got it with specific reasons and expectations, I though I'd have a go at it in this case.
This is another one of those instances where I pick cards I feel are appropriate rather than pull them and interpret... See, I think what this deck does with the Fool is rather interesting. There are two fool cards in the deck...both have a reinterpretation of the classic symbolism, the man on a journey (though interesting that he isn't a youth!), scorpions and snakes at his feet instead of a dog, a hyena lurking in the background...danger, danger but also that sun and the rainbow, hope, optimism, opportunity awaiting. In one card, he is entering a veil, in the other leaving it...the beginning and end of some kind of journey, then? Running towards vs. from something? Seeing clearly ahead vs behind? Many ways to interpret this. My mind goes to the symbolism of oroboros again - all beginnings have an end, all ends are in their own way a new beginning.
I also like this take on the wheel. I looked up the meaning of Mektoub, and essentially it is the idea of fate, predestination, so it is written, so it will be. But yes, it fits here, the idea that larger wheels spin, things always moving and changing and sometimes for the better and sometimes for the worse and you roll with it. I like the utter ridiculousness of the imagery - that sometimes things just happen and sometimes they are and you cannot explain it, cannot make logical sense of the why, why is this happening to me, it just IS this is where you ARE right now. But it's all on the back of an elephant, who moves forward, change, motion, always.
Yes, it's an interesting deck, especially the majors. Those I very much like, and there is a lot of food for thought even though they aren't very busy. The use of primary colors by and large is striking. Love the North African influence of the art. The courts...I don't quite know how I feel about those. The deck plays around with ethnicities (arabs, asians, indian, white) but there doesn't seem to fully by a rhyme or reason to it (as in, it doesn't go by the suits) and...yeah. The minors are not very illustrated or expressive...less approachable than even regular marseilles minors I'd say. I can see them giving people used to reading with illustrated minor decks trouble for sure. Actually, though, I must say I was pleasantly surprised at how well I was able to read them. Apparently my style for such is a mish-mash of relating to majors and number meanings and suit meanings and traditional rws meanings and marseille tradition meanings all wrapped together depending on context and accompanying cards and it...works for me, and makes me realize just how much I've progressed as a reader in the last few years.
So yeah, interesting deck. I like it, but I do admit its more an intellectual like than that kind of gut reaction, instinctive/intuitive type like. Will definitely work with it some more in the future. For now, going to continue with Thoth, whose awesomeness I am realizing more and more, and also, I think, with the Fey, another pretty recent acquisition of mine :]